When memories can't be trusted. . . 

A psychological thriller written and directed by David E. Tolchinsky. Now in preproduction. An Institutional Quality Productions presentation.

To get more info, to track the production, to learn about our upcoming crowdsourcing campaign, to be remembered, drop us a line at info@davidetolchinsky.com.To learn more about recovered memory therapy, go here. To learn more about false memory syndrome, go here.


A policewoman named Crawley finds the house that matches the latest sketch by 'Cassandra,' a killer who likes to draw the location of her next murder. The house belongs to Field, a retired psychiatrist. He reveals that a long time ago he had treated a 12-year-old patient named Cassandra Philips, who obsessively drew disturbing scenes involving half-human, half-animal creatures. Field helped her recover what he believed were memories of some kind of unspeakable abuse, until he realized they were false memories, or rather, until he was prosecuted for implanting false memories in his patients and was no longer allowed to practice psychiatry. Despite Crawley's conviction that Cassandra Philips is the killer and Field's assertations that he is in no danger and just wants to be left alone, as the day starts to unravel in strange ways, it becomes clear no one and nothing is as it appears to be.  .  . 
















 Sara Bues* as Crawley

Chicago credits include: Sign in Sidney Brustein’s Window (Goodman Theatre), East of Eden (Steppenwolf Theatre), King Lear (Chicago Shakespeare Theatre), Othello (The Gift Theatre) and Various Characters in Where's the Rest of Me? as part of Sick by Seven (A Red Orchid Theatre).  Other credits include Lost in Yonkers (Syracuse Stage), Embedded(Edinburgh Fringe Festival), and The Argument (The Attic Theatre). Sara is a proud graduate of Syracuse University Drama and the School at Steppenwolf. 


David E Tolchinsky, writer/director







 Madison Jones, producer 








 Robert Patrick Stern*, director of photographer 

 Sarah Sharp*, production designer and SFX artist

Sarah Sharp has been working professionally in the artistic crew film and fashion industry for seven years. She has literally traveled the country, working in every genre from westerns to fantasy and has been recognized for her 1980s period-style SXSW ‘The Muck.’ Her drive and sometimes unrealistic dedication has offered her great opportunities to work with known talents such as Sean Astin, James Caan, Omar Epps, Dante Spinotti, and many others in collaboration at a young age. In 2013 she and Director of Photography Robert Patrick Stern dug deeper into their love for films and cinematic beauty with The Line Film Company and are now in production of their 4th feature film. Working creatively with Robert on such an fx and art influenced film as Cassandra required very little convincing when the short presented itself.



 Chad Davis*, editor








featuring the artworks of Angela Azmitia

*pending contractual confirmation. 






When memories can't be trusted. . .










until they have to be. . .