Entries in screenplay (2)


Gave talk at the Prague Film School

Gave a talk on February 16 on "Understanding Character Arc: A Screenwriter's Perspective" at the Prague Film School, very cool institution in a very cool city.

What is “classic” character development based on 3-act structure or the Hero’s Journey/mythic structure? What are recent trends? What happens when you leave off the beginning or end of a character arc or twist our expectations about what an arc should be? What does a character arc look like when time is compressed, expanded, reversed, or duplicated (either within a film or across TV episodes)?  When is it appropriate not to have a character arc (that is, your character is unchanging)? Finally, how is character arc related to theme/message?  In general, as a writer, how can you use an understanding of character arc to jumpstart your writing process? 



Contribution to Janet Neipris' New Book

Honored to be asked to contribute to the chapter on Lessons from Master Teachers in Janet Neipris' new book.